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2018_04_10
The Possibility of Imperfection: NAMELESS Architecture
         

Is there such a thing as a pure prototype or perfect archetype in this world? Our adjacent, everyday surroundings are rife with imperfections. Na Unchung and Yoo Sorae (principals, NAMELESS Architecture) recognise this in profound ways, questioning how their architectural practice impacts the fixed foundations of such animperfect world; exploring the fundamentals of architectural practice through the relationship between artificiality and nature, simplicity and complexity, weightlessness and heaviness, permanence and flexibility; and embracing the latent potential − as if it was a primitive space stumbled upon − rather than confined to a certain architectural style. What if their architectural practice was called ‘nameless architecture’? This month’s Frame features five works, including B Gallery, AeLe House, and D Pavilion, through which the tranquil and unexpected qualities of NAMELESS Architecture will be revealed.

edited by Park Semi | designed by Kim Heejeong | photographed by Roh Kyung | materials provided by NAMELESS Architecture

The Possibility of Imperfection: NAMELESS Architecture

024 Essay | Possible Architecture - 13 Keywords to Address NAMELESS Architecture_ Na Unchung, Yoo Sorae
028 Project | B Gallery + House of Green
034 Project | AeLe House with 9 rooms
038 Project | D Pavilion
040 Project | Future Archeology
041 Project | An Arch – 1 Room, 150 Lights
042 Critique | Flexible Firmitas_ Nam Sungtaeg

 
 
tag.  NAMELESS Architecture , Na Unchung , Yoo Sorae , Pavilion
       
no.605 (2018.April) 
 
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