No. 254
¾ÈȫŹ, ÃÖȫö, À̺´È£, Ä«À̷νº ½¨ / ÀüÅë»çȸÀÇ ¹®È¿Í ¹®ÈÀû ÀüÅë / °ÇÃà±âȹ / °ÇÃà / 76~77 / Integrating Fragments of Old and New, ½Å°ú ±¸ÀÇ ÁýÇÕ, µµ½Ã ÆÐÅÏ, urban pattern, urban fabric /
No. 252
ȲÁÖ¸® / ÀÌÀÏ / ¼â½Å°ú ¼ö¿ëÀÇ °úÁ¦ - ¿Ã¸²ÇȰú µµ½Ã¡¤°ÇÃà / ¹Ì¼ú½ÃÆò / ¹Ì¼ú / 92~95 / ¼¿ï°¶·¯¸®, ÁøÈ¶û, ȲÁÖ¸®: °¡¸é¹«µµÈ¸(acrylic on Korean hand-made Paper, 1987), ȲÁÖ¸®: ±× ñé¿¡ ìéìÑÀÇ ¾ÆÇذ¡ ¹«¼¿ö ÇÏ´Â ¾ÆÇØ¶óµµ ÁÁ¼Ò(ceramics, 1988), ȲÁÖ¸®: Ãß¾ïÁ¦(1988), ȲÁÖ¸®: ÀÚÈ»ó(1988) /
No. 248
Ȳ±â¿ø / Àüȯ±âÀÇ Çѱ¹¹Ì¼úºñÆò / ¿¬Àç / µµ½Ã / 144~155 / Åõ½ÃµÈ µµ½Ã°æ°ü, Åõ½Ãµµ, ¸£³×»ó½º µµ½Ã, °í´ë±Ø, °í´ë±Ø ¹«´ë, ¿øÇü±ØÀå, Sebastiano Serlis, °ÇÃàÀ̷м, °ÇÃà½Ê¼, Vitruvius, Sabbioneta, Andrea Palladio, Teatro Olimpico, Sixtus, Haussmann, °í´ë ·Î¸¶ /
No. 246
¾îºù »÷µé·¯ / Çѱ¹ÀÇ ´ëÇб³¼ö °ÇÃà°¡µé / ÇØ¿Ü¹Ì¼ú / ¹Ì¼ú / 126~129 / Irving Sandler, ¼öÁ¤ÁÖÀÇ, ´Ù¿øÁÖÀÇ Àé½¼(H. W. Jansan), ¾Æ¹æ°¡¸£µåÀÇ Á¾½Ä, »ö¸éÃß»ó(Color-field abstraction), ¿ÐÅÏ ´í /
No. 238
Ȧ·£µå ÄÚÅÍ / Çѱ¹Çö´ë°ÇÃà : Çѱ¹¼ºÀÇ Àç¹ß°ß / ÇØ¿Ü¿¹¼ú / ¹Ì¼ú / ¹Ì¼ú / 126~129 / Holland Cotter, ¾Æ¸£ÇîÆ¼³ª°è ÀÌÅ»¸®¾Æ, ÆùŸ³ªÀÇ °ø°£ÁÖÀÇ, ÀÓÆä½ºÅä(impasto) ±â¹ý, ¸¶Å¸ Àè½¼ °¶·¯¸®(Marth Jackson Gallery), ·çÄ¡¿À ÆùŸ³ª: ½ÅÀÇ Á¾¸»(1963) /