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Between Two Modernities in Chinese Architecture: Chang Yung Ho ¨è

photographed by
Tian Fangfang (unless otherwise indicated)
materials provided by
Atelier FCJZ
edited by
Kim Bokyoung

SPACE May 2025 (No. 690)

 

Now that a second Chinese architect has been awarded the prestigious Pritzker Prize, SPACE turns its attentions in this issue to Chinese architecture. It has not been addressed with the same critical depth as the well-documented architecture of Japan. Since the implementation of its Open Door Policy in 1978, China has experienced a dramatically transformed design environment, and the new generation of architects that emerged in this period led the new direction in architectural discourse from 1990 onwards. The focus of this FEATURE, Chang Yung Ho, is widely regarded as one of the most influential figures at the centre of this movement, shaping the trajectory of contemporary Chinese architecture. 

Inha Jung (professor, Hanyang University), the interviewer of this FEATURE, is a scholar who interprets the history of modern architecture in East Asia as the convergence of an imported Western modernity and a regionally specific, indigenous modernity, suggesting that both forms have long coexisted. He views Chang Yung Ho¡¯s work within the broader framework of modern architecture in East Asia. Throughout this interview, Jung examines Chang¡¯s architecture both diachronically and thematically, revealing how modern Chinese architecture often reaches beyond its domestic scope to follow a bold new trajectory. 

 

Jiading Mini Block (2020). At a satellite town of Shanghai, Jiading, the Industry 4.0 Demonstration Base, Atelier FCJZ designed 22 block buildings with a 41.2 ¡¿ 41.2m module at the office park. This scale stands in stark contrast to the typical urban blocks in China, which often exceed 500m and can reach up to 800m in superblocks, compromising walkability and connectivity. Unlike conventional Chinese urban plans that often fail to control the urban environment quality due to vague zoning, this project provides specific design guidelines to ensure that future developments by other architects will follow the same principles.

 

Return to China

Inha Jung: You returned China in 1996. Was there any particular reason for that decision? I imagine that you could have had a relatively stable status in your career as a professor at Massachusetts Institute of Technology (MIT) and an architect in ...

 
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Chang Yung Ho
Chang Yung Ho received his master of architecture degree from the University of California at Berkeley in 1984. He has practiced in China since 1992, and established Atelier FCJZ with Lu Lijia in 1993. He has won a number of prizes and recognitions, such as First Place in the Shinkenchiku Residential Design Competition in 1986 and an Honorary Membership of American Institute of Architects (AIA) Hong Kong. The Jishou Art Museum won the AIA 2020 Architecture Award. Atelier FCJZ was recognised as one of the 100+ Best Architecture Firms 2019 by Domus magazine. He has participated in many international exhibitions of art and architecture, including six appearances at the Venice Biennale since 2000. He was also a Pritzker Prize Jury member from 2011 to 2017. He has taught at various architecture schools throughout the U.S. and China. At present he is the dean of the faculty of architecture, University of Hong Kong and emeritus professor at the Massachusetts Institute of Technology (MIT).
Inha Jung
Inha Jung, born in 1964, received his bachelor¡¯s and master¡¯s degrees from Seoul National University before acquiring his Ph.D. from the University of Paris I (Pantheon- Sorbonne), France, in 1993. He is currently a professor of architectural and urban history at Hanyang University ERICA Campus. His research focuses on East Asian modern architecture and cities. His recent major publications include; Constructing the Socialist Way of Life: Mass Housing and Urbanism in North Korea (2023); Modern Architecture in Korea (2023); Architecture and Urbanism in Modern Korea (2013); and Exploring Tectonic Space: The Architecture of Jong Soung Kimm (2008).

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